Welcome
I
was five years old when my father brought home a piano to our
Bronx apartment.
This timeworn piano had been housed in a bar, and regularly had drinks
spilled inside, along with burn-marks on the keys. Undaunted, I began
playing what I heard on the radio, and started music lessons with a
neighbor. I loved to hear my teacher play, but couldn't sit still
long enough to finish a lesson. Two years later, I began my studies
anew with our church organist and vocalist, Bernard Waters, who now
sings with the chorus of the Metropolitan Opera. I made solid
progress this time, and I began plugging away at Hanon exercises and
Für Elise before too long.
Our family moved to Florida when I was ten years old. My
interest in piano lessons waned as I became acquainted with playing
sports and games outdoors. The forests, beaches, and swimming pools of
South Florida were a big change from the cement-floored playgrounds in
the Bronx.
After leaving piano lessons behind, I developed an interest in
percussion, and played in my middle and high school bands. I still
played the piano for my own enjoyment by reading pop music, easy
classical arrangements, and show tunes. In high school, I became the
jazz band pianist, and accompanied many fellow band members in local
music competitions.
I enrolled at the University of Miami as a biochemistry major
with plans to attend medical school. To maintain my hobby, I took
piano instruction as a one-credit course. My teacher, Hanna Cyba, a
doctoral candidate from Poland, assigned me "serious" classical
repertoire for the first time. Hearing her speak about the Chopin
Ballade I was playing gave me my first glimpse of musical artistry.
Learning about the beauty, meaning, and emotion in this single work
awakened within me a passion for being a true artist. She since has
apologized to me, saying "It's my fault you're not a doctor!" To
tell
the truth, I'd rather be the pianist that I am.
I attended the New England Conservatory of Music for my Master's
Degree. The talent-saturated environment motivated me to define an
artistic vision and achieve a higher pianistic level. Boston boasts a
vibrant contemporary music climate, so I joined several avant-garde
music ensembles and performed frequently.
After my Master's Degree was completed, I was accepted to Carnegie
Mellon University's Artist Diploma Program, an intense
performance-based course of study. In 2005 I completed my studies,
and was hired by CMU's Piano Preparatory Division. I also maintain
a
private teaching studio and present solo and chamber music recitals
regularly in the Pittsburgh area.